Praise for Paredes

Recent news

• World premiere of David Lancaster’s ‘Of Trumpets and Angels’

  

  On 29 June, 7:30, 2019, the Oxford Harmonic Choir will perform the world premiere of David Lancaster’s work for soprano soloist, chorus, and orchestra Of Trumpets and Angels at Oxford’s Town Hall.

• First review in for Sadie Harrison’s The Oldest Song in the World on Métier/Divine Art

  

  https://divineartrecords.com/recording/jaipur-to-cairo/

  www.sadieharrisoncomposer.co.uk

  www.cuatropuntos.org

  Sadie’s new work The Oldest Song in the World for two violas (2018) has been released on Métier/Divine Art, available from June 2019. The piece was written especially for the virtuoso violists Kevin Bishop and Steve Larson from the US ensemble Cuatro Puntos.

• SADIE HARRISON’S 'Anthem' premieres as part of In The Steps of Apollo 3D at the Bristol Planetarium

  

  We are delighted that Sadie has been commissioned to write a new work for the Zelkova String Quartet in celebration of the 50th anniversary of the Apollo 11 Moon landing. ‘Anthem’ will be premiered in a brand new specially created 3D Planetarium show In The Steps of Apollo: from the first moon landing to the Universe beyond… at We The Curious (Bristol Planetarium) on 20 July alongside new works by Julian Leeks, Litha Efthymiou, Michael Ellison and Richard Blackford.

• British Youth Opera to perform David Blake (music) and Keith Warner’s (libretto) musical entertainment ‘Scoring a Century’

  

  ‘Ladies and gentlemen… the couple time almost forgot… THE JEDERMANNS!’

  Directed by Keith Warner, within August and September, 2019, British Youth Opera with the Southbank Sinfonia will perform David Blake’s Scoring a Century at the Peacock Theatre, Holburn, London, as part of their summer season.

• James Weeks: new CD release – windfell

  

  Dr James Weeks’ major work for singing violinist, windfell, has been released on the leading British experimental music label Another Timbre. Written for and performed by Canadian violinist Mira Benjamin, windfell debuted in October/November 2017 at concerts in London and in Durham University’s Klang series. Lasting almost an hour, windfell arose from

  ‘an image of the violin surrounded by space and open air: on top of a hill, high-up and remote, played only by the wind. On this ‘wind fell’ the breeze moves over the instrument’s surfaces, sets the open strings in motion; leaves brush across the strings as the wind catches them. A sounding-out of the instrument, its body and materials, by the natural environment in which it rests.’