‘The Scream’ for String Orchestra - Thomas Simaku – World Premiere
Stemming from a single line - hence, the vocal quality imbedded in the overall melodic expression of the strings is at the centre here - there are a variety of “screamingly-based” sonorities, “vocal” or otherwise, throughout the piece. They cover a wide spectrum of dynamics, and range from very soft and delicate to furiously loud and tumultuous textures, as if reaching our modern times from the remoteness of time itself.
These linear manifestations occupy the whole registral gamut of the strings in a symphony orchestra, and are presented in a variety of formats ranging from static (sometimes tenaciously motionless) horizontal lines, through various heterophonic bundles progressively moving at their own pace, to different ‘diagonal’ sliding lines (microtonally inflected or otherwise) that overlap with, and echo, one another.'
(2 Oct 2017)