Within this article, Ivan Moody states that 'the impact of minimalism in Portugal has barely been studied; the establishment and subsequent institutionalisation of post-serial and other avant-garde thinking meant that approaches to other kinds of modernism – and whether or not ostensibly postmodernist approaches could be included in such categories – only gradually came to be employed, during the course of the 1990s. This article discusses the work of four composers, Luís Tinoco, Nuno Côrte-Real, Eugénio Rodrigues and Tiago Cutileiro, as part of this context.'
Luís Tinoco featured in Ivan Moody’s ‘FOUR PORTUGUESE MINIMALISTS? IBERIAN REFLECTIONS’ (Tempo 71)
6 November 2017
Within this journal, Ivan Moody accounts that “the work of Luís Tinoco, makes overt use of elements of the kind that Cutileiro considers ‘not truly minimalist’, within the context of a musical language that is both rich and diverse. The composer himself acknowledges, for example, the presence of certain gestures that come from minimalism, in such works as Short Cuts, Ends Meet, Invenção sobre Paisagem and Antipode, citing specifically Adams, Reich and Andriessen, but notes that he only began to examine minimalism as a phenomenon in depth when he began to teach at the Escola Superior de Música de Lisboa, some years after returning from London, where he had studied at the Royal Academy of Music with Paul Patterson. The composer whose work he points to as particularly influential before that time is Ligeti, as may be clearly heard in the early String Quartet (1995).
Nevertheless, Tinoco is anxious to point out that, ‘in spite of this connection which, I repeat, I consider more than legitimate, I think that it comes basically from my listening to Stravinsky and a great deal of jazz, in which there are obvious points of contact with the harmonic and rhythmic language of some minimal works’, noting that as a teenager he was an assiduous listener to the work of Pat Metheney and Lyle Mays, and that he maintains a very high opinion of Bill Evans, Herbie Hancock and Keith Jarrett. Certainly, jazz and Stravinsky may be heard as ancestors in some degree of a work such as Antipode (2000), but filtered in such a way as to suggest the music of Andriessen, particularly in terms of the repetition of motives that become ostinati, and the instrumentation, which favours saxophones and brass.
Tinoco says that he reclaimed the ‘gestures of repetition, ostinato and pulsation’ after discovering Ligeti’s Etudes, and points to his works Tríptico for violin and piano (1997), Verde Secreto (2007) for saxophone and piano, the wind quintet Autumn Wind (1998) and the quintet Light – Distance (2000) as proof of this. The fact that the dates of composition of these works covers an entire decade is proof of the enduring fascination of Ligeti’s work for Tinoco, but his music continues to be a highly eclectic mix, and in conversation he is as likely to locate his musical ancestry in Birtwistle as in Adams or Andriessen. When questioned about ideas of modernism and postmodernism, Tinoco says that his listening is broad in scope, as may be detected from the omnivorous nature of his musical references in the above, and that ‘official assumptions of position in art (and not only) are of little interest to me’.”
COPYRIGHT: © Cambridge University Press 2017
More news
2 July 2025
Excellent reviews and a Broadcast for Thomas Simaku
1 May 2025
David Blake, Elisabeth Lutyens and David Lancaster performances at Late Music, York
28 April 2025
Robert Saxton Wigmore Hall Premiere and CD Release
8 April 2025
Sadie Harrison’s "where she has always been … ble mae wastad wedi bod …" inspires new Welsh poetry
4 April 2025
"...a moving and heartfelt lament..." - an excellent review of Sadie Harrison's 'A Thousand Black Men Named George'
3 April 2025
Three April piano recitals at Late Music York
19 March 2025
UYMP Assistant Administrator (part-time)
19 March 2025
New album release of music by James Weeks and Nicolas Gombert
12 March 2025
Sammoutis awarded Senior Research Fellowship by the GATES International Excellence in the Humanities Programme
11 March 2025
“…a programme so perfectly shaped” - fabulous review of Danny Driver Wigmore concert which featured Simaku's ‘Catena IV’world premiere
26 February 2025
World Premiere of Lancaster's 'The World’s Last Night' on Saturday and Roger Marsh at 75
21 February 2025
Yash Saran Wins Ethyl Smyth Award With His Performance of Sadie Harrison's 'Lunae'