The UYMP office is closed while the staff are on furlough. You can still obtain music from our catalogue in the usual way, from Musicroom.com, and hire from our agent Wise Music Classical. Please contact UYMP composers directly, via their own websites, if you have any queries. We expect to re-open by December.

Thomas Simaku’s CD in Top Ten

Thomas Simaku’s CD, Solos & Duos, released on Naxos Records in 2019, has been chosen among the ten best CDs of the year by the critic James H. North in the prestigious magazine Fanfare in the USA. The list includes recordings of works by Beethoven and Bartok, as well as two 21st century composers from the Netherlands and USA.

In his article, which appears in the issue 44:2 of Fanfare magazine (November-December 2020), the American critic writes:

‘Every work by Albanian/English composer Thomas Simaku is breathtaking. This is his second Naxos CD and his second appearance on my Want Lists; several more works heard on YouTube and elsewhere are equally stimulating.’

The CD includes works such as ENgREnage, written for Peter Sheppard-Skaerved and Roderick Chadwick, Deux Esquisses written for the pianist Joseph Houston, and his Soliloquy V – Flauto Acerbocommissioned by the BBC Performing Arts Fund performed by the dedicatee Chris Orton.

Thomas Simaku’s music has been reaching audiences across Europe, the USA and further afield for three decades now, and it has been awarded a host of accolades for its expressive qualities and its unique blend of intensity and modernism. Major works include Concerto for Orchestra – the winning work of the Lutosławski Prize (2013), The Scream for String Orchestra (2017) based on the iconic painting by Munch, and a cycle of highly virtuosic solo pieces for various instruments. You can hear his BASCA Award-winning work Soliloquy V – Flauto Acerbo, described as ‘visionary and entirely original’.

(22 Oct 2020)

Recent news

  • New CD release for Thomas Simaku, on BIS Records

    A new CD of Thomas Simaku’s chamber music, performed by internationally renowned musicians, is being released today, 6th November 2020, on the prestigious Swedish label BIS Records. Professor Thomas Simaku has collaborated with the Paris-based Quatuor Diotima for more than a decade and his collaboration with the British pianist Joseph Houston, now based in Berlin, began when Houston was an undergraduate at York.

  • SADIE HARRISON AWARDED SUBSTANTIAL ACE GRANT

    UYMP is absolutely delighted to announce that Sadie Harrison has been awarded a substantial Arts Council England National Lottery Project Grant for a 2 year project entitled ‘PASTURE & STORM’ ('New Music for the Single-Handed Pianist'). Over the next year, Sadie will be writing eight new works for the internationally renowned virtuoso left-handed pianist Nicholas McCarthy, Sophia Benton (a former pupil currently studying as a single-handed pianist at Welsh College of Music and Drama), singer Peyee Chen and the Bristol Ensemble conducted by John Pickard.

  • Tinoco’s ‘Archipelago’ Odradek CD applauded by Music Web International

    Luís Tinoco’s ‘Archipelago’ CD, on ODRADEK ODRCD398  has received an excellent review in Music Web International.  The reviewer Glyn Pursglove reminds us that Tinoco has established himself as one of Portugal’s leading contemporary composers, has worked intermittently with the Drumming Group de Percussão over a number of years and that the disc marks the percussion ensemble’s 20th anniversary in 2019, as well as a milestone birthday for Tinoco himself!  

  • 'Meditation' world premiere for Sadie Harrison

    The violinist Glen Sheldon has been doing a series of informal Zoom concerts of solo violin repertoire during the various lockdowns. He is delighted to have re-established contact with Sadie Harrison, with whom he studied and performed at Surrey University, and in his next programme he will include a short selection from her Gallery (Room 1) and Gallery (Room 2) pieces, including a world premiere of Meditation, written especially for Glen during the lockdown period

  • Sadie Harrison contributes chapter to Music and Heritage (Routledge)

    We are delighted that house composer Sadie Harrison has contributed a chapter to Music and Heritage New Perspectives on Place-making and Sonic Identity, a forthcoming title from Routledge, in which she writes about the relationship between her twin careers of composition and archaeology. Entitled Composing archaeology: The problems of recreating heritage in music, the chapter considers the resonances between compositional and archaeological practises focussing on works written prior to and after her work as an archaeologist specialising in the Bronze Age prestige ware of the Carpathian Basin.