High praise for Hughes <cite>When the Flame Dies</cite>; new commissions

The double CD/DVD release of Ed Hughes's chamber opera When the Flame Dies has received further high praise in Gramophone's May 2014 edition, David Patrick Stearns commenting that the question is not if you like it but if you can tear yourself away from it.
Stearns praises the work for having much effective compositional strategy, with motivic repetition, naggingly obsessive long-held notes in the winds and just plain alchemy. His review follows a string of other highly favourable reviews of the release on Metier:
Hughes's music fizzes with invention... there is a Stravinskian sparkle to the writing.
Leo Chadburn, Tempo
...one of the more arresting and distinctive chamber operas to have emerged in the UK over recent years.
Richard Whitehouse, International Record Review
Brilliant, energetic music, whose most immediately noticeable quality is its clarity... the language is open and attractive, very harmonically inventive... all the ingredients for a production of high standing.
Pierre Rigaudière, L'avant-scène Opéra
These and other reviews can be read in full here. The reviews come amid a very active year of composition for Hughes. His commission by Lake District Summer Music Festival, a trio for mezzo soprano, viola and piano, will be premiered on 5th August. Hughes will give a pre-concert talk on 'Against that time... against my love', a setting of two Shakespeare sonnets, before its performance by Kathryn Rudge, Duncan Glenday and Garfield Jackson. Hughes is currently working on settings of John Donne for the Aquarius Chamber Choir, who performed his A Buried Flame at the ISCM Festival. Aquarius will premiere the new work in Ghent on 14th September. Meanwhile, Alison Hughes will premiere Hughes's new clarinet concerto with the Sussex University Orchestra in early June.